After an Icon (1994),” “The Whopper (1994),” and “The Turtles (2012)
In her book chapters, “After an Icon (1994),” “The Whopper (1994),” and “The Turtles (2012), Zha Jianying vividly describes the changes of Chinese intellectuals, such as writers, producers, journalists and publishers, under the commercialization of China’s cultural world during the post-Tiananmen Democracy movement. Exactly how had Chinese intellectuals changed and what had caused these changes? In your view have these changes made China more democratic? Please give evidence from these chapters to support your viewpoints.