Your critique should include the following elements:
• The date, time and location of the recital
• The name of the performer
• The names and dates of the pieces performed, and the names of the composers who wrote those pieces.
• Did any of the pieces have individual movements (smaller sections) listed on the program?
• What are the meanings of any titles of pieces or titles of movements?
• Compare the styles of the different pieces on the program. How do pieces written earlier in time sound different from pieces written later in time? You should talk about dynamics, tempo, and the ways in which the piano is used. Is the piano used to make song-like melodies, or is it being used for rhythmic effect? Are lots of notes used at the same time, or just a few? Are both rhythm and melody happening at the same time? Be sure to talk about all the pieces on the program.
• From your own knowledge of piano playing so far, describe the physical approach that the performer had to the piano. Describe the performer’s posture, movement, and overall use of their body.
• What parts of the recital did you really like? Why? Be sure to talk about aspects of the music here—talk about the pieces in terms of melody, rhythm, tempo, dynamics and so on. You can also talk about the performer’s interpretation.
• What parts of the recital did you enjoy less? Why? Again, be sure to give details about the music and the performer.
• One of the main jobs of a pianist is to make sure that the audience can hear the melody (when there is one)—even when there are lots of other things happening in the music. How did this pianist succeed in the pieces on this program?
These critiques will be graded as follows:
Clarity of writing: 5 points
Details of recital and performer: 5 points
Discussion of compositional style
(critique of the music): 10 points
Discussion of the performance
(critique of the performer): 10 points
This is about your ideas, and your reaction to the recital. Everything that appears in your critique should be in your own words. You may not complete this assignment with the assistance of other students. You may not copy from: printed articles; books; the internet; from faculty members or from other students without proper attribution. You may not submit the same material for two different critiques, nor may you submit the same material in fulfillment of the requirements of multiple different courses. This is a critique, not a research paper—you should really not need to borrow (even with attribution) from anywhere. If you use a music dictionary or website to provide translations or meanings for piece or movement titles, be sure to give this information in a footnote.